When your an independent filmmaker you are your on your own. Hopefully you have developed a team, or know individuals who can help you lighten the load from producing your film. I say YOUR film because YOU were the one who started down this road. If you are a director slash producer you’ll need to get down in the trenches and start assembling your team. Films are not made by committee. Making films is an autocratic way of life. Having a team is great, and helpful, but you are the General of this army. Go forth and get ready to take command.
Now that being said having a small producing staff helps. Everyone has maybe a speciality and that helps. I have come to the conclusion that GOOD films are made by a dedicated cast and crew. I’ve actually looked at movie production history, and the films that are superior to all the rest are because the production team had enthusiasm and believed in the project. A lot of these films were from first time artists who had something to prove and who had a vested interest in making a film that would stand out.
In future posts I’ll try and go through those films histories. But I’ll leave that for some other time. What I’m trying to say here is that when you’re making an indie film you may need to rely on outside individuals who have skills that you need to compensate.
I used professional actors. I held auditions after looking at many headshots of actors. I did not ask anyone for money. I find it appalling when I hear of productions NOT offering compensation, or even not paying for the actors transportation. I know I’ve been labeled a nice guy, and you know what they say about “nice guys”? But I’m not a nice guy. I’m trying to get other people involved in my project. Its that simple. If the people I get become my friends all the better. But I first I need to figure out a budget, and before you shoot make sure you have enough to get the film in the can.
A film production unit is more then just a bunch of artist working to create content. They become a family. Yes! I said it. The F word, and that F word is “family”. I know that’s crazy. But it’s true, and no truer in independent filmmaking then in any profession I can name. It’s what makes filmmaking that special vocation. I can’t state it strong enough. Like any family there can be dysfunction in the family, but you as a good producer & director know how to head off problems before it becomes a problem. You need to be part therapist, and part artist.
We worked seriously hard on “Deadly Obsessions”, but as you can see by the picture above there was time to clown around as well. It’s the key to esprit de corps, and trust me you’ll need that when doing an a film no matter if it’s a independent or a studio based film. Treating filmmaking like a straight business proposition is not what gets your film made. Roget Corman’s film’s had hungry artists working for him. They pushed themselves to make the best film they could. Just by recognizing talent Corman’s films may have not been cinematic marvels, but they were entertaining and cheap. It’s how Corman survived for so long. Recognizing talent is the key, and developing relationships is a key to making a good film. I’ve been involved where people don’t really care and only want to make their film footage quota for the day. Needless to say those films go into the dustbin of cinema never to be seen or heard from again. There is a whole lot more that goes into a successful film, but your first hurtle is getting it made, and a lot of films just fall apart and are never made. I’ve seen it, and I’ve been a party to it. It hurts when your film fails to grow wings and get off the ground. There is more talk in this industry then there is action. It is what seriously makes me cringe and has prevented me from making more films.
Alone my film stock budget was about over 5K, and I managed to get a discount. In order to process the film, and transfer the sound to mag track it was another 6K. I knew all this and kept the spending to a minimum, yet still I paid people. I had a few days to shoot, and then the money would dry up. I had to work a day job to get more money for post, and it was me who was working on post production. How else could I save money. I resurrected an old 6 plate flat-bed and finished on film. It was the cheapest way to go at the time. Posting on video would have costed me a fortune, so film was the only alternative. You see why I despise others who keep talking the talk and never pony up. The above picture is me at the end of shooting. That smile is releif for making it through the slog of production.
I really, really admired Kevin Smith, and Robert Rodriguez for making their low budget films. Now days you don’t need film stock. But memory cards to fill up, and hard drives to back the footage. I really think you can still get a feature done nowadays for little money, and that you can do it in stages to keep the costs low. Keeping it simple helps. Limited actors, limited locations, and keep the crew small. From the picture above you can see I had limited lighting equipment to light a scene, yet my crew and I made it work. I really think you ca as well. No matter the budget. It’s more possible now then it ever was. So go out there and be the next Coppola, or Spielberg. Don’t think because you don’t have the money you won’t be able to produce your film. Make your resources work for you. Take some time off. Coordinate your talent and crew. Spend on the things that matter, and you may attract people who BELIEVE in your project. It is time consuming, maddening and throughly invigorating, yet you’ll enjoy ever moment of it.